35mm APS-C vs 50mm full frame portrait comparison

Interactive side-by-side simulation at the same subject size: see how 35mm APS-C and 50mm full frame change camera distance, perspective, depth of field and background blur.

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What this comparison shows

Both images show the same portrait at the same size. Both cameras stand at almost the same distance, because 35mm APS-C and 50mm full frame have a similar field of view. From closer in, 50mm full frame shows more of the room around the person. 35mm APS-C has a narrower field of view, so the background looks larger and closer and is easier to simplify.

Start at f/1.4 on the left and f/2 on the right. Then try f/1.8 vs f/1.8, or open both to f/1.4 and f/1.2. Match depth of field sets the right-hand aperture so the background is as blurred as on the left. The smaller APS-C sensor needs a wider aperture to reach the same background blur as full frame.

At the face framing, 35mm APS-C stands 86 cm from the subject. At f/1.4 the sharp zone runs from 84 cm to 88 cm. 50mm full frame stands 80 cm away, and at f/2 the sharp zone runs from 78 cm to 83 cm.

Questions

How far from the subject do you stand with 35mm APS-C and 50mm full frame?

In the face framing, 35mm APS-C stands 86 cm from the subject and 50mm full frame stands 80 cm. Both cameras stand at almost the same distance, because 35mm APS-C and 50mm full frame have a similar field of view.

Which blurs the background more, 35mm APS-C or 50mm full frame?

At the same framing, a distant background blurs in proportion to the aperture opening, focal length divided by f-number. 35mm APS-C at f/1.4 opens 25.0 mm and 50mm full frame at f/2 opens 25.0 mm, so both blur it about the same. Close behind the person, the focal length matters less and the f-number more.

Do 35mm APS-C and 50mm full frame give a different perspective?

Hardly. Both frame the face from almost the same distance, so perspective and background size match. What changes is how much the background blurs at a given f-number.

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Also see: depth of field, bokeh, crop factor, lens compression.