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Matching lenses from each maker's lineup, plus some classic medium and large format lenses. Email me if something is wrong or missing.
Interactive side-by-side simulation at the same subject size: see how 58mm and 105mm change camera distance, perspective, depth of field and background blur.
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Matching lenses from each maker's lineup, plus some classic medium and large format lenses. Email me if something is wrong or missing.
Both images show the same portrait at the same size. For the same head size, the 105mm camera stands about 1.8 times farther back than the 58mm camera. From closer in, 58mm shows more of the room around the person. 105mm has a narrower field of view, so the background looks larger and closer and is easier to simplify.
Start at f/1.4 on the left and f/1.4 on the right. Then try f/1.4 vs f/1.4, or open both to f/1.4 and f/1.4. Match depth of field sets the right-hand aperture so the background is as blurred as on the left. Both cameras use the same sensor, so equal f-numbers give a similar depth of field.
At the face framing, 58mm stands 93 cm from the subject. At f/1.4 the sharp zone runs from 92 cm to 95 cm. 105mm stands 168 cm away, and at f/1.4 the sharp zone runs from 167 cm to 170 cm.
In the face framing, 58mm stands 93 cm from the subject and 105mm stands 168 cm. For the same head size, the 105mm camera stands about 1.8 times farther back than the 58mm camera.
At the same framing, a distant background blurs in proportion to the aperture opening, focal length divided by f-number. 58mm at f/1.4 opens 41.4 mm and 105mm at f/1.4 opens 75.0 mm, so 105mm blurs it about 1.8 times as much. Close behind the person, the focal length matters less and the f-number more.
Compression comes from camera distance, not from the focal length itself. For the same framing, 105mm stands about 1.8 times farther back than 58mm, so the background looks larger and closer behind the person and less of it fits in the frame.
Also see: depth of field, bokeh, crop factor, lens compression.