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Matching lenses from each maker's lineup, plus some classic medium and large format lenses. Email me if something is wrong or missing.
Interactive side-by-side simulation at the same subject size: see how 35mm and 40mm change camera distance, perspective, depth of field and background blur.
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Matching lenses from each maker's lineup, plus some classic medium and large format lenses. Email me if something is wrong or missing.
Both images show the same portrait at the same size. Both cameras stand at almost the same distance, because 35mm and 40mm have a similar field of view. From closer in, 35mm shows more of the room around the person. 40mm has a narrower field of view, so the background looks larger and closer and is easier to simplify.
Start at f/1.4 on the left and f/2 on the right. Then try f/1.8 vs f/1.8, or open both to f/1.4 and f/2. Match depth of field sets the right-hand aperture so the background is as blurred as on the left. Both cameras use the same sensor, so equal f-numbers give a similar depth of field.
At the face framing, 35mm stands 57 cm from the subject. At f/1.4 the sharp zone runs from 55 cm to 58 cm. 40mm stands 65 cm away, and at f/2 the sharp zone runs from 63 cm to 67 cm.
In the face framing, 35mm stands 57 cm from the subject and 40mm stands 65 cm. Both cameras stand at almost the same distance, because 35mm and 40mm have a similar field of view.
At the same framing, a distant background blurs in proportion to the aperture opening, focal length divided by f-number. 35mm at f/1.4 opens 25.0 mm and 40mm at f/2 opens 20.0 mm, so 35mm blurs it about 1.3 times as much. Close behind the person, the focal length matters less and the f-number more.
Hardly. Both frame the face from almost the same distance, so perspective and background size match. What changes is how much the background blurs at a given f-number.
Also see: depth of field, bokeh, crop factor, lens compression.